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Requiem 2030

Author: Rona Fitzgerald
Year: Future

They can’t have heard actual music playing,

I always use earphones, remembering not to hum

since the on ban classical music – too culturally specific.

I don’t have a favourite, allowing each one to move me

reminding me that life’s not flat but undulating

and jagged like a rock face.

After Covid-19, it was the tracing app – reasonable

in terms of health. Then there was to be no negative

or critical publications about government.

The questions started, why were you here

how do you know them? Even comedians

were banned. Amazon stopped publishing.

I don't even say I love you on FaceTime anymore,

they try to map moods. I don’t want them to know

how I feel.

My daughter has done a small disrupter

for my hoovering times – I let the cello or violin

enter my soul. Lately, I come back to the requiems;

Mozart’s Dies Irae shows me death

stalking my path, insistent bass provoking

a dread of nothingness

In Verdi’s Lachrymosa, I hear angels weep –

somehow it eases my grief. Faure’s Agnes Dei

gives me hope of seeing my loved one’s again.

All travel is banned and contact with outsiders.

How did it happen so fast? No one in or out.

Anyone living abroad corrupted, outlawed.

It’s the poets next, my daughter tells me, subversives.

Not on side with the national narrative.

They promote feelings and ideas of free speech.

They’re pounding the door. Surely, it’s not me

they are looking for?