Previous Weekly Writes
Week 21
Why not try one of the following exercises... |
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1. Find a letter you've received and change the names of the people mentioned in it. Use it as an opening to a short story. 2. Have a go at writing a riddle in poetry form. This poem by Judith Nicholls, names the object at the end. See if you can compose something similar.
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3. "Hold your noise!" cried a terrible voice, as a man started up from among the graves at the side of the church porch. "Keep still, you little devil, or I'll cut your throat!"
This is an extract from chapter 1 of Great Expectations by Charles Dickens. Use this excerpt as inspiration for a story of your own. |
Week 20
Why not try one of the following exercises... |
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1. Think of a recent event that happened in your life. Rewrite it through the voice of your best friend, sibling or other close relative. Try and capture their way of thinking, their way of using language. 2. Ask a friend to put a variety of objects in a cotton bag. Close you eyes and feel each object. Write down words to describe them. Then open your eyes to see what the objects are. Choose one, and write a poem on it, incorporating the descriptive words you originally wrote down.
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3. Try writing a story narrated by an unreliable character. A famous example of this is The Turn of the Screw by Henry James, a story told through the eyes of an untrustworthy governess. In your piece, think about why the narrator is unreliable- are they mad/naive/deluded/ biased in some way? |
Week 19
Why not try one of the following exercises... |
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1. Think about a character that you've created. How would they act in these different situations: at the ballet, in a library, at a mother and toddler group, at a construction site. Write down your thoughts. 2. Write a scene of dialogue between two characters that includes silence in it. What effect does it have?
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3. Writer and dramatist, Anton Chekhov, said: 'If there is a gun hanging on the wall in the first act, it must fire in the last.' If you've written a story think about how the narrative is woven together. Do you have a dramatic moment in your story that seems to have come out of nowhere? If so, think about how you could foreshadow this scene in a subtle and effective way. |
Week 18
Why not try one of the following exercises... |
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1.Listen to this poem by Jo Shapcott: I Go Inside The Tree. This was part of a poetry collection inspired by trees. Reflect on something in nature which you admire e.g flowers/water/mountains and see if you can write a poem as focused as this. 2. Write a flash fiction piece about a new beginning. It could be centred on the first day of school, a new relationship or newly found freedom from war/oppression/disease etc.
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3. Go and sit in a cafe and record what you hear. Listen closely to what people are saying. What else is going on? What are the staff doing? What is happening outside the window? |
Week 17
Why not try one of the following exercises... |
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1. Choose one of your favourite songs and try re-writing the lyrics. Ensure your new lyrics are still in keeping with the rhythm of the piece. 2. Write a story where a character has a secret that she is too frightened to tell. Think about why this is. What are the consequences of the secret being known?
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3. Try writing an acrostic poem. An acrostic poem is one where the first letters of the lines spell out a word or words if you read them vertically. Here is an example of an acrostic by Edgar Allan Poe. |
Week 16
Why not try one of the following exercises... |
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1.This is the opening to John Burnside's novel, The Glister: "In the beginning, John Morrison is working in his garden. Not the garden at the police house, which he has long neglected, and not the allotment he rented when he was first married, but the real garden, the only garden, the one he likes to think of as a shrine." Use this as a beginning to a story and see where it leads you. 2. The Umbrella Man, The Bookseller, The Butler and The Last Act are all titles to short stories written by Roald Dahl. Choose one and use it to begin writing a poem. |
3. Watch this inspiring talk: 'Taking Imagination Seriously' by Janet Echelman. What does it make you think about? Does it encourage you to push boundaries in your own work? |
Week 15
Why not try one of the following exercises... |
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1. Have a go at writing a 'conceit' poem. A conceit poem is where you write about one thing entirely in terms of another e.g. a hedgehog as a conker, as in this example. 2. Write about a piece of clothing in your wardrobe that has a particular emotion attached to it. Start with a description of the item and see where this takes you. |
3. Food is often mentioned in literature- think of Enid Blyton's picnics, or the nasty gruel mentioned in Charles Dicken's 'Oliver Twist'. Write about going to the home of a friend/relative and being presented with some food that you either really like or really hate. How do you react? |
Week 14
Why not try one of the following exercises... |
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1.Ernest Hemingway said: 'Remember to get the weather in your damn book- weather is very important.' What is the weather like right now? Severe winds, snow, rain? Write about what you see outside your window. 2. Choose a house in your neighbourhood that is owned by someone you don't know and have never seen. Write about who you think might live there. Look for clues. What is the garden like, the windows, the curtains? Is there anything on the front door? |
3. Write about a gift you received but didn't like. Why didn't you like it? Who gave it to you? |
Week 13
Why not try one of the following exercises... |
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1.Choose two characters who really dislike one another. How old are they? What do they look like? Why do they hate each other? Create a dinner party scene. One of them is already seated and the other one walks in. What do they say to each other? 2. Choose a well know story e.g a fairytale or a myth. Set it in the present and change the setting: on a spaceship, in a war zone, in the Arctic, in a small province in China. |
3. Totally change your writing routine. Write in an unusual place (in castle grounds, on a boat, in a car, on the kitchen table) or at an unusual time for you- in the middle of the night for example. What happens to your writing? |
Week 12
Why not try one of the following exercises... |
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1.Write a line of a story, then send it to a writing friend to write the next line. Get them to send it to someone else to add a line. Repeat until you have a complete story. 2. Make an advent calendar. For each day, add a treat and an inspiring writing quote. |
3. All our senses are important when it comes to writing. Listen to this inspiring talk by Evelyn Glennie. |
Week 11
Why not try one of the following exercises... |
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1.Take on the persona of one of your characters (if you're writing a story). Get a friend to interview you (as that character). 2. Visit a place in your town/city that you've never been to. Write about it. |
3. Vik Muniz makes images from wire, chocolate and sugar. Watch this video and use one of his pictures as a basis for a creative piece. |
Week 10
Why not try one of the following exercises... |
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1.Open a dictionary and find a word that you've never seen before. Write 200 words- including this new word in your piece. 2. Take a bus and observe the people on it. Choose someone of interest and think about their behaviour/what they might do for a job. Use this as a basis for a character in a story. |
3. Read the first chapter of your favourite book. See if you can translate this into a poem, trying to express the essence of the chapter in your own words. |
Week 9
Why not try one of the following exercises... |
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1.Choose a creature that you know nothing about e.g a seahorse. Find out a little more about it, and then write a poem based on your discoveries. 2. Write 150 words on something/someone that you've lost. |
3. Read 'It Was Raining' by Janice Gould. What line/image are you drawn to the most? Use this as the start to a creative piece. |
Week 8
Why not try one of the following exercises... |
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1.Scan a newspaper for interesting stories. Pick one and use it as a springboard for your own writing. |
3. Imagine you are Henry VIII, or some other well known historical figure. Write a piece about a significant event in their lifetime e.g the Reformation, the beheading of Anne Boleyn, the birth of an heir etc |
Week 7
Why not try one of the following exercises... |
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1.Pick a story you’ve already written and re-imagine it in the past. How does this affect the story's setting/ voice/ character? 2. Ask three friends to send you a holiday snap. Use one/all of them as an inspiration for a poem. |
3.Listen to Phil Kline’s third movement from: "The Blue Room and Other Stories", played by avant-garde string quartet, Ethel. Write down any images that enter into your head as you listen to it. Use this as a basis for a story. |
Week 6
Why not try one of the following exercises... |
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1. Log your dreams over a week. Chose one of the most vivid and use it as a basis for a creative piece. 2. Still life: Choose an object and describe it in great detail. Use this as an opening to a story. |
3. Think of three people you know who have never met each other. Put them in a scene together. What would they say? What impressions would they have of one another? |
Week 5
Why not try one of the following exercises... |
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1. Write your own (dream) obituary. 2. Choose a memory of yours (good or bad). Re-write it from the perspective of someone else. |
3. 'I might be the villain of this story. Even now, it's hard to tell.' This is the first line from The Borrower by Rebecca Makkai (featured on October's Book Talk). Use this line as the starting point to your story and see where it takes you. |
Week 4
Why not try one of the following exercises... |
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1. Write an 100 word story in ten minutes. 2. Re-write the story, but change the gender of one of the characters. What do you notice? |
3. On separate pieces of paper, write down the names of 5 characters, 5 places and 5 scenarios. Fold up the pieces of paper and put into 3 boxes- dividing character, place, scenario. Pick one from each box. Write a story based on what you have chosen. |
Week 3
Why not try one of the following exercises... |
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1. Write a letter of advice to your teenage self. 2. Choose the last paragraph of your favourite book. Keep the first line but change the rest. |
3. Write a sentence. Start the next sentence with the last word of the previous sentence. Continue. e.g. Today the sun looked sallow and the sky heavy with sadness. Sadness seeped into the earth... |
Week 2
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Take a look at these simple images. Can you see the beginning of a story in one of these scenes? |
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Week 1
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Why not use Bananagrams as your muse? Use one of these collections of words as a starting point for a poem/short story/novel. We think they fit in vague thematic groups... |
Fantasy? |
Romance? |
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