Stuart Campbell
Email:
stuart.campbell1@virgin.netBRAW network:
noLL funded:
yesBiography:
I was told I just arrived out of a blizzard one stormy winter's night. There is some truth in every narrative we tell about ourselves; my story begins in a snowstorm and, in some ways, that is more real than the information on my birth certificate. I grew up in Larkhall, Lanarkshire and when I left school worked in Lanark Library for a couple of years, then I spent a while doing all sorts of work: as labourer, building PA systems, as a survey assistant and, amongst other things, in 'the Barras' in Glasgow. I started playing guitar when I was fifteen and from about seventeen a lot of my time was taken up with writing songs and playing folk music. I went to RGU in 1980 (then Robert Gordon's Institute of Technology) to qualify as a Social Worker and I've lived and worked in Aberdeenshire ever since. I am currently a Child Protection Manager with Aberdeenshire Council. I've been involved in outdoor activities practically since I could walk. All my childhood holidays involved camping, cycling and walking; mountaineering, rock climbing and Nordic skiing has taken me all over Scotland, to the Alps and the Himalayas. I'm not sure if any, or all, of that can actually explain anything… About writer's work:
My interest in writing developed from playing traditional songs and music, initially concentrating on song-writing, but poetry was also very much part of that whole activity. Although I’ve been writing since my school days, I only started to send my work to publishers in 1995 (I had a long apprenticeship). Since then I've had a fairly constant stream of poems published in books, magazines and elsewhere. That's probably the result of persistence as much as anything else; I think writing the poems is only part of the job.
I do not have an academic or professional literary background but, as a qualified Social Worker, the use of words (whether written or spoken), communicating with people is the basis of my professional life. I wouldn't, however, claim that my professional background allows me to somehow have more of an insight into ‘real life’ than any body else (in fact, it could be argued that my professional work is quite abstract). It does, nonetheless, have a bearing in terms of psychology, sociology and things like anthropology influencing my poetry. I'm also interested in current affairs, philosophy, art and some bits of science. Although it can be argued that who I am cannot be separated from what I write, I am only very rarely the subject of the poem; I don't think I could be described as a 'confessional poet'. I'm inclined to view writing as a way of actively engaging with my environment, in the widest sense, and my poetry has increasingly tended to respond to particular concerns or explore specific themes. I think this probably results in me working with a conscious determination, rather than relying purely on intuition.
I have also written for the outdoor press and contributed the route descriptions (almost a literary sub-genre) for new rock-climbs on the Moray coast, which forms a section in the 'Northeast Outcrops' climbing guide, published by the Scottish Mountaineering Club. I occasionally write essays and reviews for the literary press and am an editorial advisor for Northwords Now magazine.
My poetry has won a few prizes in local and national competitions like the Ottakars / Faber competition 2006, the Poetry News Competition 2003 and the Royal Lochnagar Distillery International competition 2002. I was Shortlisted for Poetry Society/ BT e-poetlaureate 2000 Prize and the Robert Louis Stevenson Award in 2006. I've also read for or been featured in BBC radio programmes, like 'Open Country' (Radio 4) and 'Mountain Tales' (Radio Scotland).
About writer's events and projects:
I enjoy giving readings of my work, sometimes with visual images (using PowerPoint). I don't really mind how far I need to travel to venues so long as I get enough notice to make arrangements, particularly if it's a mid-week event. I think anybody (including me as a facilitator) who invests time and attention in a creative writing workshop can gain from the experience and I welcome opportunities to work with folk in developing their writing. I have done a few unusual sessions, like a poetry workshop 'on the hoof' on a mountain for a day; creating a 'River of Words'; and a project with artists at Duff House (National Gallery). I've also done a 'poetry-art-book' two-day workshop (making the poetry and the book) with the text-artist Catherine Whiteman. So I'm just as keen to try something a bit experimental as I am to do straightforward creative writing sessions. I have a current Disclosure Scotland (Enhanced) Certificate.Links to other websites:
www.poetrymagazines.org.uk/search/index
www.spring-tides.org/poets/scampbell.html
www.spl.org.uk/ www.northzine.net/poets/scampbell.html www.zen39641.zen.co.uk/ps/index.htm http://freespace.virgin.net/stuart.campbell1/cruachan/index.html/
Language:
EnglishAge groups:
Teens, Adults

